True Stories of An Eccentric Unorthodox Confucian Legalist Daoist Failed Chinese Scholar: How I became a Singaporean Chinese BaoGong Ghost D...

True Stories of An Eccentric Unorthodox Confucian Legalist Daoist Failed Chinese Scholar: How I became a Singaporean Chinese BaoGong Ghost D...: How I became a Singaporean Chinese BaoGong Ghost Dreamer I am actually a Bao Gong ghost dreamer and looking for friends to share my knowl...

Astral projection Qigong dreaming into Xuan Tian Shang di

This is a very true and personal astral deaming expreince . As an overseas chinese Australain now living in Mlebourne as a migrant for 26 over years and made many trips back and forth to my home town in Singapore . I practise Ba gua Qigong for many years due to my reanl kidney failure and have expereinced many Qigong Astral projection sleep dreams . These astral projection dreams are a result of my great and strong fascination for intriggue and Chinese detecitve muder mystery paranoimic fiction in which Ling Meng chu , the Ming dynasty unorthodox confucian scholar of Chinese in chinese literature wrote many strange stories of Bao gong ghost dreaming with astral dreaming encounters and connections to some god or spirit whenever Bao gong neeed some help to slove difficult and complex cases . My practise of Taiji Ba gua Qigong astral projections and dreaming happened one night when I feel asleep . I then felt my spirit leaving my body and levitated itself into the astral world of the unknown and unseen and consequently in a transinet state expreinced a astral projection dream . In the dream I saw myself entering into a very huge building which was some sort of temple . At this temple, I saw a three tried flight of steps with each step leading to a prayer hall of some sort and as I mounted the each level of te staris , I saw three different alters dedicaed to three gods.After viewing each different god, I then proceeded downstairs and my spirit returned to my body back on earth and I woke up . This persoanl astral dream materialised on earth during my third trip back to singapore one afternoon after I attended Sukyio Mahikari in Geyland at Singpaore's east coast . Passing by the streets, I heard some very loud noises with some procession going on and passd by the Singpaorean Shang di temple . As I went into the temple and inquired, I discovered that the local Hokkiens and Teochew communities were celebration the birthday of Shang di and honouirng the Jade emperor with scarifices gifts . Then and Then I ascended three flight of stairs in the Shang di temple exaclty as I saw in my dream which led me to behold a gigantic size of the Jade emperor with the jade empeor astral boy-god made out of rice flour or Huang di tong zhi seating on its shoulder and I ressemabled that boy. I then descended downstairs to join in the celebration watching the locals perfoming a Chinese opera and birthday celebration in honour of Shang di and had a very enjoybale time and wonderful day that day . Since then, I believed that I was sent by the Jade Emperor to enjoy being entreatd into the nine reginal palace gates jiu xuan gong jue in my astral connection with Shang di . Further personal reseached on the net and your program on you tube did ascertained that Xaun Tain shang di indeed had some connection with Taiji and that it helped me with my Qigong practise with Shang di being the astronomical north pole stellar or Bei ji Gong which determined north-westerly patterned astronomical foot work of the Ba gua to help me gain more balance and contorl of my limbs and my body as well as that Shang di or Di gong being the balance of fire and water power are related to the internal organs of the stomach , kidneys and liver which connects to the dragon and jupiter cosmic alingnment is very helpful for the internal respitory digestion system in internal chinese medicine and also in connection to the Yellow Emperor's internal medication cannon for meditaiton all helps to generate wholen ess and health for long life.

True Guan Gong stories in Cinese folklore 2 - Of chicken rice and Hong Kong Roast duck and the Past era of the Chinese gold Rushes

As a Singaporean Chinese Austrlian weird Foodie, I came across a stall selling Hainanese chicken rice in Sydney's Chinatown in Globurn street. The lady vendor told me that Hong kong people always worshipped Gaun gong for business and since then ,I made a sub-concious connection that if I were to find a good Hong kong resturant that offered Chicken rice and Hong kong roast , I would use my Qigong astral projection creative visualisation skills and the ideal shop will appear. 1. One such cafe was the Golden wok of Melbourne Causeway Inn ran by Sally Tang, a Malaysain-chinese from Ipoh. She told me that they prayed to Guan gong for buisness as Gaungong was a beancurd seller . 2. Sechuan Flower ,a resturant located nearby my Camberwell home down-under here in Melbourne was run by Kenneth Leong and wife Ellleen . I visited them every now and then in the evening and go to know them quite well as I love Spicy Chinese food . As I sighted their statue of a standing statue there one night , Elleen and I decided to have Gaun gong's intervention to bless the shop , so Elleen placed a metal oval dish of a boiled chicken tigh as a scarificial offering to the diety .We invited Gaun Gong to entreat the shop with good fortune , watched and waited until Guan gong finished eating the chicken ! Then she shook the bell asking to be blessed for good business and the night ended rather humourosuly well delightfully . Kenneth Leong was a member of the Melbourne masonic society . He told me that they regularly burnt joss sticks in prayer to Guan gong in their hall . I have visited the hall a few times and have seen the painting of the pictures of the Five augustus ones on their wall. 3. My father being a freemason had to attend a private conference in Christchurch which lasted for 3 days . As my third Aunty Lina on my father's side and Uncle Eng having migrated to New Zealand and lived in Christchurch , we deceided to call on them and invite them to a Chinese dinner in Christ church . Being was the first time in Chrsit church and told that the Chinese in Christ church was scarce as consequently there was no Chinatown which had a good Chinese resturant, I kept it in mind and in prayer chant to the lord in the way beyound for a sign for a good Chinese resturant with Hong kong roast duck and the Guan gong in it . The answer to my prayers materlised one night while my parents were attending the Masonary buffet night and I was left entirely on my own . Consequently, I went into the casino for the night visit to enjoy myself and looking out for a palce to have my dinner . Just as the public bus rounded through the corner of the highway into Colombus street, I sighted the number 1 Chinese provincail resturant at the bus stop so I aligted from the bus to dine in there . After some intense observation, I noticed the greenish shimmering gilted statue of the gaun gong on display atthe shop front and heeded the menu had a mixed roast duck combination . There and then I decieded than that the number 1 China provincail resturant was the desiganted place and the propritor in conversation affirmed that they stratgically chose that spot for business atthe bus stop as it was so conviently was placed and located to attract potential customers . So the follwong evening, my parents treated my Aunt Lina and Uncle eng to the resturnt after spending the day with them at their residence . And my father complimented me for the ideal location and that the dishes we had were very good besides the roast duck and pork combination dish and the food and service was of a good quality standard and reasonably priced. 4. The era of the Chinese victorian gold rushes in 1854 saw the arrival of chinese pouring into the Victorian gold-fields form Bendigo into Melbourne . Till present day, The Cantoense See yup society still stands there as a heritage building with the Chinese gardens opened in the Empeor Tong zhi era at South Melbourne Raglan street as a hall amrk of China's friendship society with Melbourne . Besides this there was also the Chinese Joss house or a miniture temple built in worship of Gaun gong for wealth , protection, dispensation of justice , settlement of social disputes and communal life as well as the veneration of the Chinese goddess of mercy for Women welfare. Presetnly, it is used as a Buddhsit convention centre attended by overseas chinese devout prasticing buddhist . Traces of the past overseas Chinese heraldry still remains too in Bendigo with a thriving business community form the mining booms days of yore and clebrations of the largest Chinese proecessioanl Dai long Eqaster Dragon . It was only called the Easter dragon because its customary processions were held in March as celebrations after the vegetable market gardening harvest without any assocaition to the Christian Easter .Much later in 1856 of the same era, the Melbourne Chinese Masonic society was founded . Today, it is used as a faternal charitable function hall in suport of the Mainland chinese Communist PRC with dinners hosted for the China delegation . 5. The Chinese diggers arrived in Castlemaine in the 1850s first before pouirng into the Victorian goldfields of Bendigo and Ballarat with the many who hailed from Canton and the Californain gold fields. Bendigo was then known to them as Tsin kum shan or New Gold mountain while Californa was known as Dai Kum shan or Big gold mountian being the orginal venue of their fortune-hunting expedition. As Castlemaine was only a palce for temporary Chinese migrants who came to mine the goldfields to send money backhome to the mainland , the Chinese settlement was few with Little Canton in Forst creek of Guildford , remote country shire away from the municipality of Castlemaine. What was interesting to note that the Temple or Joss house of Castlemaine dedicatd to Gaun Gong worship was for not only for wealth and protection but also for literature with Gaun Gong holding a book and a sword concurrently becasue it was patronsied by literate shop-keepers of acounts, pwn-borkers and bankers who could transcat business . Besides the local grocery for selling their vegetable market garden produce, herbalist, laundary and pawn-shops , there were also gambling and opium-smoking dens kike thsoe you read in Tin tin 's Blue Lotus Inn . All these venues while contributing to a vibrant Chinese community was also sources of protection of discriminaiton against Chinese gold-diggers on these grounds: 5a. Oppostion of their heathenistist worship as thier fortune-hunting and firece loyalty was evident by wealth worship of Gaun-di or Gaun gong agaisnt a European majoirty who were Judeo-christains worshipping in their churches 5b. that the Chinese being very exclsive amongst themselves never attemptes to assimilate with the wider European migrant community though this came much later with mix marriages to European women. The Chinese diggers often resorted to their dens and clans and secet socities of the Yee Hing or the remanant of the Chinese traid society of the Heaven and Earth Society , thus being described as being clannish, Clandestine , evil , sinister, dirty and unsrcuploius and cunning . 5c. That since most Chinese diggers were unskilled, they rarely prospered with alluvival minning and often got into strife with Europaen diggers who had the license to mine while Chinese were prohibited from holding a license and land tenure. Instead, many survived on market-gardening , laundering and pedalling . The acute social conditions of the times led to more vagrant disputes to break out , frequent hit and run murder and increased activites in gambling, smoking and idling and so forth tjat led to events such as the Lambing flat riots of Bendigo. 5d. As most Chinese diggers were tempory settlers, they often mine the fields and sent thier deposits back home in cash , thus the assucations of outflow of European gold money out of the country . 6. 1988 in the year of the dragon was regraded to be msot auspicious accoding to Chinese folklore . So I decedied to volunteer myslef for the Chjinese new year annual Dragon dance in Melbourne Chinatown. This annual dragon procession was held bythe Australain Chinese musuem, home to Melbourne's Dai Loong Dragon or largest dragon which was first used by the Chinese gold diggers in Bendigo in celebration of the lunar New year at the Victorain goldfields and had ben presereved at the Australain chinese musuem since then . 6a. The Chinese dragon dance association is run by Lim Tou Eng also known as the Dargon lady for both her role as the head of this ssmall assocaition as well as for her aggressive fiery temper . Dragon lady hled this procession annually with the sracifical offering of Roast pork dediacted to a shrine to Guan Gong . I was placed as leg no 8. with rest of the crew and those participating in the cortege holding paper porcessional floats and weapons and we had to wait for 20 minutes till the rites were over before we headed off with the march that ran from Cohjan place preceit to Longsdale street. 6b. The rites and ceremony involved dedication to Gaun gong and prayer for auspiciality as Dragons were intertwiend with rain magic . It is also a symbolof re-incarnation as added by Buddhism . The March ended at 2 pm or so with a three course sumptous free lunch given to all who participated including the liuon dances from the Chinese assocaiton of Victoria . This afternoon banqueting plus the procession became a very memoriable experience in itself but after turning hyper-calvinist and going back to church to keep the sabbath strictly, I never particapted again especially the procession invloves dedication to an idol .

True Gaun gong Stories in Chinese folklore - story 1

Story 1 - Of Guan gong's Chinese dragon Crescent Braodsword helberd , Chinese scimitars , oil and shipping Guan gong or Lord Guan was a popular Chinese folk-hero and a general from the time of the Chinese three Kingdom period of Chilvary when China was under chaos and ech state fought to maintiance of its miltary prowess, valour and control . Its ancinet tales of chilvary of true justice , fairness, equalty , virtures , valour and heroism predates from the Knight errants period of the warring states literature. Romance of the Three kingdom classical novels as one of China's priced literate classical works by Lo-Kuan-Chung and its heroic narratives were alter spreaded by chinese dramatic, astrologsit and recantours provincal-wide which led to the rise of the vogue of Chinese heroic worship of Guan gong in Chinese folklore. Guan Gong being a famed general was well known for weilding his Chinese crescent-shaped dragon blade helberd which was known as Guan Gong's Da dao or great dragon crescent sabre heldberd . It is widely used in Chinese painting, art and scupture today .He is even patronised by the Chinese poilce force as well as Chinese triad socities. In retrospect, there were several incidents in my childhood that drew to me be very attarcted to Gaun gong's helbard and Chinese Scimitars that relates to oil and shipping. It was only till recent after many years of retrospection and introspection that I discoverd the perssonal reason why that was the case which had led me to surf the net for oil and shipping news as a personal in-direct investor with the banks and take a very strong interest in China's Military and naval expansion as well as an entire trail of true stories Guan gong stories in chinese folk culture. For most Chinese Hongkong cantonse and Hokkien mercantile alike , it is worshipped as a military wealth god of sucess and prosperity . His heroic cult worship commenced with Cantonese paper merchants who worshipped him for themselves to be elevated to prestige when Gaun gong was raised to a general and it spreaded from that point in time . The reasons expalained to me were : a.According to Sally Tang, An Ipoh Hainamese chicken rice seller of Melbourne's Oriental Golden wok at the Casueway Hotel That because Guan Gong was originally a beancurd seller who alter rose pretigeousloy to become a general from being a humble beancurd seller . He was also known for his firece loyalty, courage, justice and integetery jointly with the three Brotherhood peach orchard oath of true justice and faternal undying loyalty he pleaded with Liu Bei the elder being was originally a straw scandel pedlar and Zhang fei a buthcer . b. Undying loyalty , trust and ingtery and cultivation of good-will are very essential for undertaking any enterprise by a Chinese Zhen yi Daoist monk of the Suzhou God of Chinese literture temple c. That he is even a popular folk hero amongst the police force, chinese martail arts prastices and Chinese triad secret socities inclduing the Melbourne chinese Masonic society becasue there is to be even honour amnongst thieves. d. According to MR. Loh my mother's cantonese Malaysain jeweller that his helberd symbolised the cutting of evil to dispel misfortune and his spirit of justice or yihey attacts auspicality. It all began first when my father drove a toy shop regularly in Singapore's Tiong Bahru Seng Poh road with a big and colourful golden helberd and other encounters with its life-size Chinese ceramic greenish proclean statue with him holding his heldberd standing fierciously and guarding against all evil energies . It was much later here in Melbourne as an overseas Chinse migrant that I realised I was drawn to it becasue I am simply becasue I am a very rude and disrespectivefully rude and arragont ,over self-centred power and selfish power aggressive bastard who have completely no respect for life and all humanity and any quest for the truth and knowledge of life and acqusition of wisdom . The most significant incidence occured in 1979 when I turned 11 years old . My fourth aunt Hsiu mei drove to Marine parade in Singapore's East caost for for my adoptive girl cousin's dental check-up. She drove past a tall bulidng which stood magcificently lofty by the sea front with its helium sign board displaying a slivery metallic gleaming and shimmering Chinese scimitar or Piao dao which was a symbol of Singapore's unique brand of peanut oil . It was much later as an overseas Chinese migrant that I made the connection of the Chinese scimitar's connection with Singapore's oil and maritine shipping history while surfing the net . After reading Margarat O'suvillan's narrative of Singaore's cottage industries in high rise Singapore in the Ships and things section that I discovered for myself that Singapore had a very long history of Asain-pacific and middle eastern Malay Archepalago shipping martine trade from the 5th century onwards which commenced with the Thai-Malay-Indonesain Srivijayan empire. Its many mercantile vessels and frigates sailed from Arabia, Massacare, Johore and Malaysia , China and India . At a certain time in Singpaore's history of overseas Chinese settlement early history, the boat buiders assocition of Singapore's Jalan Kayu while making boats out of timber and fiber glass propriated the Chinese river sea goddess emperss of heaven Mahzu while some venerated Di gong or the Chinese astrological great bear Shang di or north pole chinese star-dipper astral god or drak face lord in relflection of divine guidance from China's astro-navigation seafaring history. Follwing this narration , I surfed the net and came across the Jalan Kayu Gaun Gong temple where its overseas Chinese Singaprean Doaist chinee folklore believers worshipped Gaun gong, Di gong and Bao gong which released me to another episode in my adventures of my Bao gong ghost dreaming . Tracing my overseas Chinese roots of the Lim family, I disocovered according to the Chinese hundred book of surnames that being a Foochow and Chinese , I am a descendant of the period of Waring sates politican Lin Xiang ru, Qing dynasty Lin zhe xu and post Maosit China fall of the Gang of four Lin Piao . In a trip to China's weihei province , I recollecte thast It was Captain Lin Yong sheng as a naval commander who sailed his chinese frigate to weihei the Shangdong province under Li hong Zhang's aramda's Beiyang fleet . He sailed his frigate into Weihei wei bearing his late Qing dynasty scimitar or cutlasss . China's lost of the Sino-Japanese war was marked by the Japanese warship topedo attack on of Li Hong Zhong's armada and Lin Yong Sheng's frigate in which he battled to the last moment of his death by drowning. Having discovered this true historical fact shed some light and resloved my long search for a life long expalination at last as to why I always had been strongly and felt a very interest and bonding with Chinese cutlasses and ships from the days of my childhood as well as ths fact that I have also auto-generically inherited Lin Piao's genetic make-up in my persoanl pre-written DNA being a very deviously cunning , manipulative and dirty little selfish crooked fox and highy obessed with chinese miltaant prowess and martail arts. http://thechinatourism.com/2012/03/23/sino-japanese-war-of-1894-and-the-treaty-of-shimonoseki/

How I became a Singaporean Chinese BaoGong Ghost Dreamer

How I became a Singaporean Chinese BaoGong Ghost Dreamer I am actually a Bao Gong ghost dreamer and looking for friends to share my knowledge so I start by telling the history of Chinese bai shen primitive Daoist Chinese culture that evolved from early times to late Ming period that has shaped the facets of our overseas Chinese heritage : 1. That true Chinese religious culture originates from river worship of the Chinese shamanic age or the Shen hua xiao shou divine chronicles when the Chinese civilisation was a very pragmatic earth bound spiritual society 2. The need to adjust to settlement of river life in the yellow river delta Hung he basin and Yang zi or the great ocean created a great need for a balanced ecology with mountains, river, land, earth and sky which led to the creation of Shang di or Di gong in Hokkien which is the north pole astral god which derived from the balance of water and fire and alchemy to balance the cosmos to achieve universal rule, peach and harmony 3. Astral projections and ghost dreaming or ghost encounters were mixed with river worship and dragon emperor worship for river and flood protection and preservation of human welfare and happiness. 3a. Early worship of emperor sage kings of great Yu, Yao, shun and Yellow emperor known as the great auspicious five or 5 Augustus ones, demi gods and goddess such as Wang mu or the western mother, Nui wau, Pan gu and jiu tian xuan nui or jade fairy maiden for horticulture, agriculture and Chinese internal medicine originated from the Chinese autochonotic beliefs from their migration from Mesopotamia into the China plains and Asian steppes during the Akkadian great King Sargonic age 3b. Kingship of emperor worship and shamanic priest craft and dragon worship originated in the Shang and Zhou dynasty which were integrated into other literal works such as the Confucius teachings and the book of Songs, Spring Autumn annals and warring sates literature such as the drowning of Qu Yuan in the river which was tied in with dragon king worship and the boat races 3c. the school of legalism and school of military warfare of the warring states, patriotism and loyalty and chivalry poured into the Three kingdom period that created the Gung gong veneration and the later Song dynasty Water Margin and Bao gong Taiping era stories . 4. These was later mixed into later song dynasty neo-Confucius unorthodox teaching of Taoist Realist philosophy (quan zhen dao jiao) and Zen Buddhism which led Chinese Ming dynasty unorthodox Confucius scholar Ling Meng Zhu to reproduce the Song dynasty Strange and mysterious Chinese detective murder mystery of Bao gong Qi An or strange and mysterious Justice Bao cases in which Bao gong murder mystery combined with astral projections and ghost dreaming was adopted into Chinese folklore. 4a. Taiwanese and Hokkien taoist culture consequently elevated Bao gong into a river dragon god for human welfare, protection and happiness as well as the development of the Chinese legal system to reinforce justice and peace along side river worship of Shang di and mah zhu 5. Gaung gong and Shang di were elevated into important local gods during the early Ming dynasty of Emperor Yung le who was a follower of the Legalistic Taoist school of thought when he founded Zhen yi Taoism or a purer school of Taoism or legalistic righteous administration to reinforce his autocratic rule. Emperor Yong le was opposed to both Buddhism and Confucianism and heavily supressed and outlawed them because: 5a... Tibetan Buddhism and tantric practises was made popular by the Yuan dynasty Mongolian rule over China 5b. Confucianism which is based on benevolent rule undermined his autocracy and a great threat to him. Emperor Yong le imprisoned and exiled all his Confucian scholar ministers of his day and introduced Shang di as THE PRINCIPAL GOD TO BE WORSHIPPED absolute divinity which was very useful in according to the building of the forbidden city according to the north pole orientation of the imperial palace cosmology and elevated Guan gong and the city or town guardian into gods for national peace and prosperity. So this is how and why Taiwanese and Hokkiens as Malaysians and Singaporean Overseas Chinese have received the Chinese Ming dynasty Zhen yi Taoist heritage which developed from Beijing and spreaded into Suzhou and Hangzhou then into Fukien and Canton and subsequently became transplanted across Nanyang and into Singapore . The same is true of the Baba Peranakan culture of the early 20th century as wriiten by Felix Chia of the Babas . 7. Taiwan TV hollowood studio first produced the Bao gong chinese drama series which had a very psychomatic euphoric effect on its citizens who love Chinese dramatic films secularly and spirtually alike that it grew into a local pulp ficiton holly wood Taiwan stlye cult film . One such person was a Taiwanese business man who had a dream of a Black figure of Bao gong in certain county in Taiwan which forewarned him of an impending flood so he put away some money to rasie funds and built a local temple to Bao gong and the river goddess Mahzhu to prevent flooding . The flooding did actually occur and prayers at the temple helped to cause the flood to subside . Consequently the locals prayed piously and faithfully at his temple since then . http://www.youtube.com/watch?v=OaTx-jN0PQ8&feature=related 8. This popular Taiwanese Baogong cult film spreaded into Singapore and was reprodueced by the Singaapore SBC afternoon matinee . From my early childhood, I eacthed this sereies so dilligently glued on it with all its intrigging muder mysterious queer stories . I became so fascianted by Bao gong since then it and it is only till recent in my overeseas chinese retrospection mand introspection that I researched into its origins . Incorporating it into my Daoyin Chinese yoga Qigong astral projection excercises led to very real and strange and mysterious experiences that I post on this blog .

When prince nezha subdues the Dragon King

When prince nezha subdues the Dragon King Dragon King worship is one of the earliest form of shamanic primitive religions that stemmed from Dragon emperor worship which involved self-immolation and human scacrifices. According to Dr. Ong Hean Tatt's who is the conisseur and writer of Chinese occult and Jewish Kabbalism , His book on the Chinese Lung stated the appreance of a serpent lizard -like huge creature which appeared during Spring time was the ancester of the Chinese dragon . It orignated from the time of te River Repatalain Spoon-bill Dainasour which were the common ancestor of the Indonesian Commodore dragon, Aligators , Monitor lizards , Gekkos and the Crocodile family acquatic reptiles of today . The favourable cliamatic temperate condtions which caused the debut of this majestic awe-inspring gigantic lizard or sea serpent-like creature predated to the Chinese connection to the period of the Dianasours of a very green and laciously lucid tropical and well ecological balanced climates that caused animals to grow in enormous sizes. Dragons of the chinese culture from that Jurassic age is the same as Dainasaurs and this is why the chinese often referred to themsleves as children of the dragon attesting to its repetalian evolution. Other forms of dainasours discovered included the ancestor of the birds of prey which became the myhtical phoniex and  a symbol attributed to the mother god worship . It was under hese favourable primitve climax that also creatd the precedence cycle of the Chinese zoadic of primitive Chinese tribal society which amalagted with later studies in celestial bodies ,astronomy , astrlogy and necromany that created the Chinese horoscopes , forecasting techniques and divination of today on tortise shells . Dragons or dainasours thus an Ambiement symbol connected with auspiciality, fortune -telling, emperor worship , the celestail royal lineage and rain magic of neopolatic times . Buddhsim which spreaded into China from India during the 4th and 6th century led to the incorparation of the Indinn Naga king Buddhist symbol of protection against evil , floods and natural disasters. The best  example which I can recollect to have influenced the overseas Chinese Hokkien and Teochew Singaporean Culture community Taoist  bai shen piety was the legend of Prince Nezhe subdued the dragon king along side the Monkey god story when Tibetan folklore of vijayaran Buddhist Metaphysics and Indian Buddhsit Dhama intoduced these Indian Buddhsit tales to China during the Tang dynasty in 635 AD. It is the Indian Naga king buddhsit culture, in which the Buddha having attained enlightenment having subdued the evil nanga dragon conquering yamagata of the king of hell that gained entry into nirvana from SriLanka wandering monks of the Buddha with the Naga dragon flame which became incorparted into the Brahman Hindu demi-god king worship, art, architecture and yoga alike in the 5th century that spreaded and influenced Therevada Thai, Burmnese, Cambodain and Laos Buddhism of Lao Prabang , Hokkien Teochew Thai, Burmese , Laos, Cambodain and Indonesain segments of their Overseas Chinese heritage. It was in the year 850 that this vogue was also accomanpied by the spread of Ramanyna Hindu epic of King Rama's recovery of her pirncess consort Sita with the help of the Monkey god Hamunan and the motif of the Buddha with the naga flame and the royal umberalla Umbralla royal design that were used decoratively in stone carvings reliefs, satutes, imagary and architectural designs of the temple murals of the angkor wat and Borabordour . Circa the 6th century of Tang China that the Third prince nezha legend was conceived . Nezha was an avatar boy-god warrior and the son of Guardian Tower-king G Ling zhen . He is associated with water worship safety which was interwoven into the Hokkien Chinese antiqurain acquaitc-astro culture because Prince nezha loves to swim. And it was during his swimming that he waved his scafe , shaking the waves the Dragon king palace below and a fierce infurated battle followed in which the dragon king's son was slained and the dragon king himself defeated in battle. The dragon king in retaliaiton flooded Nezha's father's palace and lodge a complaint with the Jade emperor demanding a life for life . Nezha couragous took his own life . His spirit later re-incarnated as a god and cannoised . People started worshipping him and prayers for sicknesses were cured . In Singapore today, The Hokkien and Teochew Taosit communtiy of Geyland and Jalan Besar reverely expressed their peity with processional marches . Qigong Astral projecting into Nezha for my Ba gua excersice for strength in the arms and balance of the upper limbs and bodily joins attributing to his speedy riding of a flaming wheel as well as for spear play with the Indian Hindu diety Warrior Business king Murugan for Indian yoga and Qigong projections. This excersice in Qigong projections of Third prince Nezha also leads obtaining money and the channelling of auspicious positive creative synergies of the universe to supply me with seafood having subdue the evil Naga dragon king of the yin energy generates copiciosuly the synchnicity chance encounter of enjoying eating the assortment of seafood right to my utmost satisfaction !